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‘Handel understands effect better than any of us; when he chooses, he strikes like a thunderbolt.’

Wolfgang Amadeus Mozart

 

It’s no secret that Auckland Choral enjoys the epic works of Handel; after all, we have sung Messiah since 1856! We open our season with the powerful Israel in Egypt. A precursor to Messiah, the work celebrates the Israelites’ escape by the parting of the Red Sea. In telling this tale, Handel draws on his considerable cache of choral skills with evocative fugues, antiphonal double choirs, thunderous choral homophony; he even portrays leaping frogs through word painting, where music imitates the imagery of the text.

 

It is a privilege to work with so much talent from the university of Auckland. Tonight the University of Auckland Symphony Orchestra accompanies Auckland Choral, along with a fantastic line-up of well-established and young soloists, including Morag Atchison, soprano and Dean Sky-lucas, countertenor.

 

Morag Atchison, Soprano

Madison Nonoa, Soprano

Dilys Fong, Alto

Dean Sky-Lucas, Countertenor

Manase Latu, Tenor

Benson Wilson, Bass

Ben Kubiak, Bass

 

Auckland Choral

University of Auckland Symphony Orchestra

Uwe Grodd, Conductor

 

Tuesday 10 March 8.00pm

Holy Trinity Cathedral

 

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Who we are: Get to know some of our choir members

  • Katherine Hong

    Picture of Katherine HongHi, I am Katherine Hong - Alto 1, joined Auckland Choral in the early 2016.  I am crazy about 18th and 19th century classical music and dreamt one day I could sing "Messiah" in a symphonic choir.  And now not only I sing "Messiah" but also have lots of  opportunities to sing other beautiful and heavenly music which I never dreamt that dream.  No single rehearsal I want to miss.

    I have one son and one furry kid.  I spend most of my time with my furry kid and enjoy watching ballet and will never get bored.

     
  • Tom Bishop

    Picture of Tom BishopTom Bishop was born in Australia, but has spent more than half of the time since out of it. He started choral singing at the age of nine in the fourth grade, where his teacher, a tall, elegant “confirmed bachelor” embraced new methods of education, which mostly consisted of allowing the class to run wild, but managed somehow to hold onto the idea of discipline enough to conduct the School Choir. In addition to singing, he also mangled the clarinet. Since then he has sung in high school, at University, at work, for work, in his spare time, and in less likely venues such as showers, streets and supermarkets, sometimes to the amazement and annoyance of partners, his children, and random passers-by. More formally, he has sung with the Yale Glee Club, the Cleveland Orchestra Chorus, and the Cleveland Early Music Singers, and has been fortunate to work with conductors such as Fenno Heath, Robert Shaw, Pierre Boulez, Richard Hickox, Simon Rattle, and Christoph von Dohnanyi, as well as Uwe Grodd. In his non-singing time, he teaches at the University of Auckland, where he lectures principally on Shakespeare and Drama. He is pleased to be a Tenor 1 because it means he gets a break at auditions.

     
  • Jane Gee

    Picture of Jane GeeI joined Auckland Choral in 2008. I enjoy the challenges of the big works which are inspired by Uwe's leadership. Singing with Auckland Choral is as important to me as breathing! And second only to my husband and family. My grandmother said that you should 'do The Messiah' at least once before you die! I have have had the privilege of singing it many times. I have made many friends and hope to sing with Choral for many years to come.

     
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