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Israel in Egypt concert banner

 

‘Handel understands effect better than any of us; when he chooses, he strikes like a thunderbolt.’

Wolfgang Amadeus Mozart

 

It’s no secret that Auckland Choral enjoys the epic works of Handel; after all, we have sung Messiah since 1856! We open our season with the powerful Israel in Egypt. A precursor to Messiah, the work celebrates the Israelites’ escape by the parting of the Red Sea. In telling this tale, Handel draws on his considerable cache of choral skills with evocative fugues, antiphonal double choirs, thunderous choral homophony; he even portrays leaping frogs through word painting, where music imitates the imagery of the text.

 

It is a privilege to work with so much talent from the university of Auckland. Tonight the University of Auckland Symphony Orchestra accompanies Auckland Choral, along with a fantastic line-up of well-established and young soloists, including Morag Atchison, soprano and Dean Sky-lucas, countertenor.

 

Morag Atchison, Soprano

Madison Nonoa, Soprano

Dilys Fong, Alto

Dean Sky-Lucas, Countertenor

Manase Latu, Tenor

Benson Wilson, Bass

Ben Kubiak, Bass

 

Auckland Choral

University of Auckland Symphony Orchestra

Uwe Grodd, Conductor

 

Tuesday 10 March 8.00pm

Holy Trinity Cathedral

 

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Who we are: Get to know some of our choir members

  • Tom Bishop

    Picture of Tom BishopTom Bishop was born in Australia, but has spent more than half of the time since out of it. He started choral singing at the age of nine in the fourth grade, where his teacher, a tall, elegant “confirmed bachelor” embraced new methods of education, which mostly consisted of allowing the class to run wild, but managed somehow to hold onto the idea of discipline enough to conduct the School Choir. In addition to singing, he also mangled the clarinet. Since then he has sung in high school, at University, at work, for work, in his spare time, and in less likely venues such as showers, streets and supermarkets, sometimes to the amazement and annoyance of partners, his children, and random passers-by. More formally, he has sung with the Yale Glee Club, the Cleveland Orchestra Chorus, and the Cleveland Early Music Singers, and has been fortunate to work with conductors such as Fenno Heath, Robert Shaw, Pierre Boulez, Richard Hickox, Simon Rattle, and Christoph von Dohnanyi, as well as Uwe Grodd. In his non-singing time, he teaches at the University of Auckland, where he lectures principally on Shakespeare and Drama. He is pleased to be a Tenor 1 because it means he gets a break at auditions.

     
  • Richard J. Milne

    Picture of Richard J. MilneRichard has been a singing member of Auckland Choral for over 14 years, as a member of the Bass section, and is currently Deputy Chairperson and a member of the Finance and Management Subcommittee. He strongly supports the vision of the current Music Director, to develop Auckland Choral as a major symphonic choir, working with international and local artists and professional orchestras.   

    As a healthcare scientist, Richard believes that music, laughter and friendship are the best medicines; and he finds that Auckland Choral provides all of these. Richard has an adult son and daughter and two grandchildren who love music.

     
  • Shakira Quinn

    Picture of Josephine ShakiraWith a long history in music and performance, Shakira Quinn was singing in choirs from the age of 5. She has had the privilege of singing under Dr Raymond White, Sir David Willcocks (Kings College, Cambridge) and was a member of the New Zealand National Youth Choir with Professor Peter Godfrey from 1985 – 1988.

    Shakira Quinn' eclectic tastes took her into a multitude of performance genres, including Opera, voiceover for TV and Radio jingles, singing in Rock and Punk bands (although some might have labelled that screaming) Street Theatre, and a Children’s Entertainer with ‘The Aunties.’  She has a degree in Education, and qualifications in Film and Multi-Media.

    Shakira Quinn works as an Alternative Therapist and Empath.  In January 2015, she returned to classical music, joining Auckland Choral as an Alto 2.

     
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