Missa Gaia & Lullabies concert banner

 

‘One of auckland Choral’s most standout performances in 28 years’

John Stevenson, choir member

 

Paul Winter&Paul Halley’s radical Missa Gaia (Earth Mass) for soprano, choir and jazz ensemble published by Pelagos Music

Paul Winter’s radical Missa Gaia (Earth Mass) adeptly combines a variety of genres to create a musical spectacle that appeals to all. Premiered in 1981, it is a 20th century interpretation of the Mass, embracing the many voices of the earth, from jazz to the sounds of wolf, whale and lion. Conductor Brian Law is synonymous with the Missa Gaia and Auckland Choral is very excited to perform this work under his baton.

As an organisation dedicated to New Zealand music, we open this concert with a new commission from New Zealand composer Anthony Ritchie. Anthony is well-known at home and abroad and produces works that are engaging, energetic and beautifully crafted – qualities this new work for soprano, girls’ choir, chorus and organ achieves superbly.

 

Emma Roxburgh, Soprano

Jennine Bailey, Soprano

Auckland Choral

St Cuthbert’s College Song Squad

Junior Black Watch Singers

Brian Law, Conductor

Pipers Sinfonia:

Alison Dunlop, Oboe

Sarah Spence, Cello

Timothy Noon, Organist

Roger Manins, Soprano Saxophone

Olivier Holland, Acoustic Bass

Ron Samson, Drums

Kevin Field, Piano

 

Lullabies was commissioned by The Auckland Choral Society for their 2015 season, and will be premiered on 6th June, in The Holy Trinity Cathedral, with funding from Creative NZ. It is a cycle of six songs, to be performed without a break, to poems by Elena Poletti, a Dunedin-based poet. Lullabies are common to all cultures, and are richly varied in their themes and moods. These six lullabies traverse different perspectives, both adult and child. ‘Shush-a-shush’ has a parent calming her child to sleep through images of the sea and beach. In ‘Little One’ it is gentle rain than lulls the child to sleep. ‘Sounds of Penguins’ makes a comparison between little blue penguins under a house, and children busily preparing for bed. The moonlight, wind, waves and lighthouse all conspire to finally calm them down. In ‘The Nightsingers’ it is the sounds of tree-frogs, ruru (morepork), and cats that accompany the lullaby; they are presented one by one and then are combined in the coda. ‘Beddington’ is a frisky lullaby for children to sing, and including a round and a ‘Monster-Munch-Up’ chant. The final song ‘Hope of my heart’ reflects on a child’s future, and remembers the passing of a sister and child (represented in the song by the childrens’ voices as echoes). All the forces come together in this song, to round off the cycle.

 

Saturday 6 June 7.30pm

Holy Trinity Cathedral

 

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Who we are: Get to know some of our choir members

  • Katherine Hong

    Picture of Katherine HongHi, I am Katherine Hong - Alto 1, joined Auckland Choral in the early 2016.  I am crazy about 18th and 19th century classical music and dreamt one day I could sing "Messiah" in a symphonic choir.  And now not only I sing "Messiah" but also have lots of  opportunities to sing other beautiful and heavenly music which I never dreamt that dream.  No single rehearsal I want to miss.

    I have one son and one furry kid.  I spend most of my time with my furry kid and enjoy watching ballet and will never get bored.

     
  • Tom Bishop

    Picture of Tom BishopTom Bishop was born in Australia, but has spent more than half of the time since out of it. He started choral singing at the age of nine in the fourth grade, where his teacher, a tall, elegant “confirmed bachelor” embraced new methods of education, which mostly consisted of allowing the class to run wild, but managed somehow to hold onto the idea of discipline enough to conduct the School Choir. In addition to singing, he also mangled the clarinet. Since then he has sung in high school, at University, at work, for work, in his spare time, and in less likely venues such as showers, streets and supermarkets, sometimes to the amazement and annoyance of partners, his children, and random passers-by. More formally, he has sung with the Yale Glee Club, the Cleveland Orchestra Chorus, and the Cleveland Early Music Singers, and has been fortunate to work with conductors such as Fenno Heath, Robert Shaw, Pierre Boulez, Richard Hickox, Simon Rattle, and Christoph von Dohnanyi, as well as Uwe Grodd. In his non-singing time, he teaches at the University of Auckland, where he lectures principally on Shakespeare and Drama. He is pleased to be a Tenor 1 because it means he gets a break at auditions.

     
  • Jane Gee

    Picture of Jane GeeI joined Auckland Choral in 2008. I enjoy the challenges of the big works which are inspired by Uwe's leadership. Singing with Auckland Choral is as important to me as breathing! And second only to my husband and family. My grandmother said that you should 'do The Messiah' at least once before you die! I have have had the privilege of singing it many times. I have made many friends and hope to sing with Choral for many years to come.

     
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