Missa Gaia & Lullabies concert banner

 

‘One of auckland Choral’s most standout performances in 28 years’

John Stevenson, choir member

 

Paul Winter&Paul Halley’s radical Missa Gaia (Earth Mass) for soprano, choir and jazz ensemble published by Pelagos Music

Paul Winter’s radical Missa Gaia (Earth Mass) adeptly combines a variety of genres to create a musical spectacle that appeals to all. Premiered in 1981, it is a 20th century interpretation of the Mass, embracing the many voices of the earth, from jazz to the sounds of wolf, whale and lion. Conductor Brian Law is synonymous with the Missa Gaia and Auckland Choral is very excited to perform this work under his baton.

As an organisation dedicated to New Zealand music, we open this concert with a new commission from New Zealand composer Anthony Ritchie. Anthony is well-known at home and abroad and produces works that are engaging, energetic and beautifully crafted – qualities this new work for soprano, girls’ choir, chorus and organ achieves superbly.

 

Emma Roxburgh, Soprano

Jennine Bailey, Soprano

Auckland Choral

St Cuthbert’s College Song Squad

Junior Black Watch Singers

Brian Law, Conductor

Pipers Sinfonia:

Alison Dunlop, Oboe

Sarah Spence, Cello

Timothy Noon, Organist

Roger Manins, Soprano Saxophone

Olivier Holland, Acoustic Bass

Ron Samson, Drums

Kevin Field, Piano

 

Lullabies was commissioned by The Auckland Choral Society for their 2015 season, and will be premiered on 6th June, in The Holy Trinity Cathedral, with funding from Creative NZ. It is a cycle of six songs, to be performed without a break, to poems by Elena Poletti, a Dunedin-based poet. Lullabies are common to all cultures, and are richly varied in their themes and moods. These six lullabies traverse different perspectives, both adult and child. ‘Shush-a-shush’ has a parent calming her child to sleep through images of the sea and beach. In ‘Little One’ it is gentle rain than lulls the child to sleep. ‘Sounds of Penguins’ makes a comparison between little blue penguins under a house, and children busily preparing for bed. The moonlight, wind, waves and lighthouse all conspire to finally calm them down. In ‘The Nightsingers’ it is the sounds of tree-frogs, ruru (morepork), and cats that accompany the lullaby; they are presented one by one and then are combined in the coda. ‘Beddington’ is a frisky lullaby for children to sing, and including a round and a ‘Monster-Munch-Up’ chant. The final song ‘Hope of my heart’ reflects on a child’s future, and remembers the passing of a sister and child (represented in the song by the childrens’ voices as echoes). All the forces come together in this song, to round off the cycle.

 

Saturday 6 June 7.30pm

Holy Trinity Cathedral

 

Join our mailing list

Facebook

Support us

Enter Amount

Who we are: Get to know some of our choir members

  • Beverley Rogers

    Picture of Beverley RogersA singing member of Auckland Choral for 12 years, Beverley has enjoyed a lifetime of involvement in the performing arts and has sung with many choirs throughout New Zealand.  She has the choir’s best interests at heart, and as Chair of the Management Committee is committed to its success to offer performances of excellence and to bringing choral music to the wider community of the Auckland region both now and in the future.

    Beverley’s commitment to community service over the years has extended across a wide spectrum having served on and chaired a number of charitable organisations trusts.

     
  • Alison Miller

    Picture of Alison MillerHi, I’m Alison Miller. I have been singing all my life, as both my parents had good voices, and we followed in their footsteps. I’ve sung in both church and community choirs, but when I was a pupil in the EGGS choir, we sang the third chorus part in St Matthew Passion in the Town Hall with Ray Wilson conducting and I was smitten. Years later when we returned to Auckland, and heard Auckland Choral singing Brubeck’s Light in the Wilderness in 1969, I knew I had to belong to this magnificent choir.. I joined in 1970 as a soprano 1, and have been a member since then, with the first concert being Walton’s Belshazzar’s Feast, with 6 weeks rehearsal time.
    Various committee positions have kept me involved, and I was secretary (in those days - a very basic General Manager) for 7 years, before taking on the Librarian’s position. I was very proud to see our daughter Sandy join Choral while she was still at school, and when I joined the alto line I remember her moral support for me as a new alto. Auckland Choral is my life and the members are my music family, which I am very conscious of every time we perform on stage. Unfortunately I have had to take leave on several occasions because of ill health, but one positive to that is I’ve been in the audience to witness the choir’s great presentations from in front of the stage.

    Away from choir and family, I take a team of handbell ringers who meet each week in East Auckland.

     
  • Sandy Bulmer

    Picture of Sandy BulmerLike so many contraltos, I first got put in the alto section as a school girl because I could read music and manage to sing a line of harmony. I joined Auckland Choral when I was in high school and now I’ve been a member for 40 years! I started singing with my mum as a toddler, sitting on her knee while she played the piano and sang soprano and tenor Messiah arias. I used to come to Auckland Choral’s Saturday dress rehearsals in the Town Hall and follow the score in my early teenage years, and it was a natural step to join Mum in the choir when I was 15. I remember Choral Hall in Airedale Street where we used to meet (before Mayoral Drive was built). It was a dusty old building and freezing in winter, but the ladies in the alto section were very kind to me and welcomed me into the back row. Nothing really changes in that respect; the Auckland Choral altos today are a great bunch of people as well!

     
Go to top