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Missa Gaia & Lullabies concert banner

 

‘One of auckland Choral’s most standout performances in 28 years’

John Stevenson, choir member

 

Paul Winter&Paul Halley’s radical Missa Gaia (Earth Mass) for soprano, choir and jazz ensemble published by Pelagos Music

Paul Winter’s radical Missa Gaia (Earth Mass) adeptly combines a variety of genres to create a musical spectacle that appeals to all. Premiered in 1981, it is a 20th century interpretation of the Mass, embracing the many voices of the earth, from jazz to the sounds of wolf, whale and lion. Conductor Brian Law is synonymous with the Missa Gaia and Auckland Choral is very excited to perform this work under his baton.

As an organisation dedicated to New Zealand music, we open this concert with a new commission from New Zealand composer Anthony Ritchie. Anthony is well-known at home and abroad and produces works that are engaging, energetic and beautifully crafted – qualities this new work for soprano, girls’ choir, chorus and organ achieves superbly.

 

Emma Roxburgh, Soprano

Jennine Bailey, Soprano

Auckland Choral

St Cuthbert’s College Song Squad

Junior Black Watch Singers

Brian Law, Conductor

Pipers Sinfonia:

Alison Dunlop, Oboe

Sarah Spence, Cello

Timothy Noon, Organist

Roger Manins, Soprano Saxophone

Olivier Holland, Acoustic Bass

Ron Samson, Drums

Kevin Field, Piano

 

Lullabies was commissioned by The Auckland Choral Society for their 2015 season, and will be premiered on 6th June, in The Holy Trinity Cathedral, with funding from Creative NZ. It is a cycle of six songs, to be performed without a break, to poems by Elena Poletti, a Dunedin-based poet. Lullabies are common to all cultures, and are richly varied in their themes and moods. These six lullabies traverse different perspectives, both adult and child. ‘Shush-a-shush’ has a parent calming her child to sleep through images of the sea and beach. In ‘Little One’ it is gentle rain than lulls the child to sleep. ‘Sounds of Penguins’ makes a comparison between little blue penguins under a house, and children busily preparing for bed. The moonlight, wind, waves and lighthouse all conspire to finally calm them down. In ‘The Nightsingers’ it is the sounds of tree-frogs, ruru (morepork), and cats that accompany the lullaby; they are presented one by one and then are combined in the coda. ‘Beddington’ is a frisky lullaby for children to sing, and including a round and a ‘Monster-Munch-Up’ chant. The final song ‘Hope of my heart’ reflects on a child’s future, and remembers the passing of a sister and child (represented in the song by the childrens’ voices as echoes). All the forces come together in this song, to round off the cycle.

 

Saturday 6 June 7.30pm

Holy Trinity Cathedral

 

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Auckland Choral 100th Hallelujahs Documentary

Watch the full documentary of about Auckland Choral's 100th consecutive performance of Handel's Messiah: 

 

Who we are: Get to know some of our choir members

  • Colleen Elliott

    Picture of Colleen ElliottColleen Elliott joined Auckland Choral in 1999. She comes from a musical background starting with piano at aged 7 which also included being a foundation member of the Whangarei Childrens Choir formed by her Mother in the mid 1950’s. Colleen passed LTCL performers in piano but never completed it as the desire to sing became more the focus and formal vocal training commenced.

    After marrying and raising 3 children over the next 2 decades, singing lessons ceased and all music was put aside until she heard Auckland Choral perform in 1997 at the opening of the newly refurbished Auckland Town Hall. This inspiring performance ultimately led to the courage to audition and acceptance as a singing member. Colleen loves learning the vast range of wonderful new works, the regular vocal coaching given every week, sharing her love of music with others and benefits significantly from the health benefits that singing offers. She has been actively involved as Membership Secretary for NZ Choral Federation for the past 4 years. Vivante Recording, a supporter of Auckland Choral is managed by her husband Larry who records most performances for archive purposes and has engineered two CD’s for Auckland Choral in past years.

     
  • Pedro Silva

    Picture of Pedro Silva

    I discovered and have fallen in love with choral music while I was in high school in Lisbon. Later I joined Lisboa Cantat, a Lisbon-based symphonic choir for a few years. After coming to New Zealand, in early 2013 I joined Auckland Choral, and I have since been a member of the Bass section. 

    Alongside with choral music, I love motorbike riding, travelling and tramping the beautiful landscapes of New Zealand. Professionally, I work for the Faculty of Engineering, University of Auckland as Director of Faculty Operations.

     
  • Shakira Quinn

    Picture of Josephine ShakiraWith a long history in music and performance, Shakira Quinn was singing in choirs from the age of 5. She has had the privilege of singing under Dr Raymond White, Sir David Willcocks (Kings College, Cambridge) and was a member of the New Zealand National Youth Choir with Professor Peter Godfrey from 1985 – 1988.

    Shakira Quinn' eclectic tastes took her into a multitude of performance genres, including Opera, voiceover for TV and Radio jingles, singing in Rock and Punk bands (although some might have labelled that screaming) Street Theatre, and a Children’s Entertainer with ‘The Aunties.’  She has a degree in Education, and qualifications in Film and Multi-Media.

    Shakira Quinn works as an Alternative Therapist and Empath.  In January 2015, she returned to classical music, joining Auckland Choral as an Alto 2.

     
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