fbpx

Messiah concert banner

 

A century of Messiahs 

Every performance of Handel’s Messiah is a special event, and Auckland Choral’s 2018 performance will be extra-special, as it is the choir's one hundredth consecutive year of Messiah performances. Since the choir’s founding in 1855 there have only been 2 exceptions – the outbreak of World War I and the flu epidemic of 1918. To celebrate this momentous century of Messiahs, the choir will be joined by visiting singers from choral groups near and far, and a stunning line-up of soloists will lead the choir, including New Zealand’s most famous tenor Simon O’Neill, Mezzo-soprano Deborah Humble, soprano Marlena Devoe, and bass Martin Snell whose “Trumpet Shall Sound” stays in the memory all year round. Join us again to welcome this year’s Christmas and to be part of our amazing “one hundrednot-out” tradition.

 

 

Marlena Devoe soprano

Deborah Humble Mezzo-soprano 

Simon O’Neill tenor

Martin Snell bass

Uwe Grodd conductor

Auckland Choral

New Zealand and international guest choirs including City Choir Dunedin and Brisbane Chorale

Pipers Sinfonia

 

Sunday, 16 December 5.00pm

Monday, 17 December 7.30pm

Auckland Town Hall

 

ticketmaster.co.nz / 09 970 9700

$42–$97.50 concession available

Join our mailing list

Facebook

Support us

Enter Amount

Auckland Choral 100th Hallelujahs Documentary

Watch the full documentary of about Auckland Choral's 100th consecutive performance of Handel's Messiah: 

 

Who we are: Get to know some of our choir members

  • Katherine Hong

    Picture of Katherine HongHi, I am Katherine Hong - Alto 1, joined Auckland Choral in the early 2016.  I am crazy about 18th and 19th century classical music and dreamt one day I could sing "Messiah" in a symphonic choir.  And now not only I sing "Messiah" but also have lots of  opportunities to sing other beautiful and heavenly music which I never dreamt that dream.  No single rehearsal I want to miss.

    I have one son and one furry kid.  I spend most of my time with my furry kid and enjoy watching ballet and will never get bored.

     
  • Olive Leddy

    Picture of Olive LeddyI have sung ever since I can remember, joining choirs through school and university, and in the course of teaching, took up conducting choirs. Around this time I re-discovered the personal joy of singing in a choir and have sung with Auckland Choral for over ten years now. As Chair of the Auckland Committee of the New Zealand Choral Federation, I am doing all I can to strengthen the choral community in our city, supporting  many choirs in primary, intermediate and secondary schools as well as our adult choirs. I have many other areas of interest, enjoy travelling with my husband and connecting with our three children. Music is an integral part of my life that I believe benefits in a multitude of ways those who participate in it. Everyone needs to find places of personal well-being and coming to Auckland Choral’s practices each week, is one of mine.

     
  • Keith Guyan

    Picture of Keith GuyanKeith spent most of his life as a self-employed freelance graphic designer after graduating with a degree in fine arts. Over several further years of study he obtained professional qualifications in advertising, marketing and tertiary teaching, enjoying being a tutor for fifteen years introducing graphic design to young students, then seven years as a part-time senior lecturer in graphic design at AUT University. He has been a self-taught church organist from the age of thirteen, and since 2002 he has been the Parish Elder, Administrator and Organist in the large multicultural Onehunga Co-operating Parish. His love of singing, church and organ music was nurtured from an early age in a musical family. Since 1980 he has sung Bass in Auckland Choral, conducted by Ray Wilson, Peter Watts, Professor Uwe Grodd and many other inspiring and talented musicians. To quote from Hallelujahs & History  “...for bass Keith Guyan, Auckland Choral has everything: thrilling repertoire, inspiring conductor, friendly and caring singers, satisfying discipline, high musical standards and the privilege of performing some of the masterpieces of choral writing”.

     
Go to top