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You can’t get a choral concert more varied than this one. Think of it as a journey of the spirit: Bruckner’s fervent little gem Os Justi Meditabitur prepares the way for the world premiere of a brand-new and deeply felt memorial in music—Erebus—by Auckland’s very own David Hamilton.

Utterly different is the riotous, mid-1930s work Carmina Burana—a no-holds-barred lampoon of the medieval clergy, set to fabulous music by Carl Orff, here in version for pianos and percussion. The wild frenzy of the opening number has chalked up dozens of media appearances from after-shave adverts to film soundtracks. Essentially, this is a whirlwind of some two dozen songs that are highly impressive as music, sometimes gentle, sometimes rowdy, but always funny and hugely approachable.

Jennifer Barrington, Soprano
Stephen Diaz, Tenor
Te Oti Rakena, Baritone
Auckland Choral
Pipers Ensemble
Rachel Fuller, Piano
Rosemary Barnes, Piano
King’s School Chapel Choir
Uwe Grodd, Conductor

Tickets are available at eventfinda.co.nz or phone 0800 BUYTIXS (0800 289 8497).
Price $55, concessions available.

 

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Who we are: Get to know some of our choir members

  • Katherine Hong

    Picture of Katherine HongHi, I am Katherine Hong - Alto 1, joined Auckland Choral in the early 2016.  I am crazy about 18th and 19th century classical music and dreamt one day I could sing "Messiah" in a symphonic choir.  And now not only I sing "Messiah" but also have lots of  opportunities to sing other beautiful and heavenly music which I never dreamt that dream.  No single rehearsal I want to miss.

    I have one son and one furry kid.  I spend most of my time with my furry kid and enjoy watching ballet and will never get bored.

     
  • Tom Bishop

    Picture of Tom BishopTom Bishop was born in Australia, but has spent more than half of the time since out of it. He started choral singing at the age of nine in the fourth grade, where his teacher, a tall, elegant “confirmed bachelor” embraced new methods of education, which mostly consisted of allowing the class to run wild, but managed somehow to hold onto the idea of discipline enough to conduct the School Choir. In addition to singing, he also mangled the clarinet. Since then he has sung in high school, at University, at work, for work, in his spare time, and in less likely venues such as showers, streets and supermarkets, sometimes to the amazement and annoyance of partners, his children, and random passers-by. More formally, he has sung with the Yale Glee Club, the Cleveland Orchestra Chorus, and the Cleveland Early Music Singers, and has been fortunate to work with conductors such as Fenno Heath, Robert Shaw, Pierre Boulez, Richard Hickox, Simon Rattle, and Christoph von Dohnanyi, as well as Uwe Grodd. In his non-singing time, he teaches at the University of Auckland, where he lectures principally on Shakespeare and Drama. He is pleased to be a Tenor 1 because it means he gets a break at auditions.

     
  • Jane Gee

    Picture of Jane GeeI joined Auckland Choral in 2008. I enjoy the challenges of the big works which are inspired by Uwe's leadership. Singing with Auckland Choral is as important to me as breathing! And second only to my husband and family. My grandmother said that you should 'do The Messiah' at least once before you die! I have have had the privilege of singing it many times. I have made many friends and hope to sing with Choral for many years to come.

     
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