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J S Bach: Fantasia & Fugue in G minor (“Great”), BWV 542 | Artley: O Magnum Mysterium | MacMillan: A New Song | Mendelssohn: Lobgesang (Hymn of Praise); Symphony No. 2

 

Not one but FOUR Hymns of Praise!

Mendelssohn’s mighty Lobgesang, (“Hymn of Praise”) is also his second symphony. Composed for the 400th anniversary of the Gutenberg Bible, it praises God and the spiritual power of words, so Mendelssohn uses the emergence of words in Beethoven’s “Choral” Symphony as the model for this majestic “Symphony-Cantata”.

Opening the concert is the “Great” G-minor Fantasia and Fugue — the most highly praised of Bach’s works in that form: a harmonic revolution in the Fantasia and a masterpiece of counterpoint in the Fugue.

New Zealand composer Chris Artley sets his spacious music in praise of the birth of Christ in O Magnum Mysterium, and Scottish composer James MacMillan creates new sounds of praise in A New Song.

Overall, a complete Festival of Praise!

Anna Leese, Soprano
Catrin Johnsson, Mezzo-Soprano
Jaewoo Kim, Tenor
John Wells, Organ
Auckland Choral
Pipers Sinfonia
Uwe Grodd, Conductor

Tickets are available at ticketmaster.co.nz or phone 09 970 9700.
Prices $42-95, concessions available.

 

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Who we are: Get to know some of our choir members

  • Beverley Rogers

    Picture of Beverley RogersA singing member of Auckland Choral for 12 years, Beverley has enjoyed a lifetime of involvement in the performing arts and has sung with many choirs throughout New Zealand.  She has the choir’s best interests at heart, and as Chair of the Management Committee is committed to its success to offer performances of excellence and to bringing choral music to the wider community of the Auckland region both now and in the future.

    Beverley’s commitment to community service over the years has extended across a wide spectrum having served on and chaired a number of charitable organisations trusts.

     
  • Sandy Bulmer

    Picture of Sandy BulmerLike so many contraltos, I first got put in the alto section as a school girl because I could read music and manage to sing a line of harmony. I joined Auckland Choral when I was in high school and now I’ve been a member for 40 years! I started singing with my mum as a toddler, sitting on her knee while she played the piano and sang soprano and tenor Messiah arias. I used to come to Auckland Choral’s Saturday dress rehearsals in the Town Hall and follow the score in my early teenage years, and it was a natural step to join Mum in the choir when I was 15. I remember Choral Hall in Airedale Street where we used to meet (before Mayoral Drive was built). It was a dusty old building and freezing in winter, but the ladies in the alto section were very kind to me and welcomed me into the back row. Nothing really changes in that respect; the Auckland Choral altos today are a great bunch of people as well!

     
  • Garnet Tregonning

    Picture of Garnet TregonningGarnet has a long involvement with Auckland Choral after his first introduction to singing in Lead Roles in Gilbert and Sullivan Operettas at Kings High School in Dunedin,followed by being a member of Capping Sextet at Otago University with Sir William Southgate in the 1960s.

    First joined the Choir under Ray Wilson in 1968-71 as a Junior Doctor before travelling Overseas for Orthopaedic Training in Canada and the UK.Rejoined under Bill Power 1976-1986 then again in the mid 1990s up to the present time-so have been a member on and off over some 47 years.Was a committee member for 5 years and continue to be inspired by the opportunity to be a member of the Choir which I believe continues to improve and I believe is currently performing at its highest level over the past 40 years –no doubt due to the superb direction of Uwe and the support of Elizabeth and the wonderful Vocal Coaches.

    Currently working full-time as a Consultant Orthopaedic Surgeon at Middlemore Hospital. 

     
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