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What would Christmas be without Handel’s Messiah? Jubilantly premiered in 1742, the work is not just an oratorio, but an institution, as Christmassy as plum pudding and as English as Charles Dickens’ A Christmas Carol.

The oft-repeated story that King George II shot to his feet when the Hallelujah Chorus broke out marks such a glorious moment that you feel that if it’s not true, well it should be.

And there are the other well-loved solos and choruses too: “For Unto Us a Child is Born”, “Rejoice Greatly”… a whole string of unforgettable musical treats up to and including the final “Amen” chorus.

Let the spirit of Christmas begin …

Cassandra Extavour, Soprano
Bianca Andrew, Mezzo-Soprano
Manase Latu, Tenor
James Ioelu, Bass
Auckland Choral
Pipers Sinfonia
Uwe Grodd, Conductor

Tickets are available at ticketmaster.co.nz or phone 09 970 9700.
Prices $42-95, concessions available.

 

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Who we are: Get to know some of our choir members

  • Katherine Hong

    Picture of Katherine HongHi, I am Katherine Hong - Alto 1, joined Auckland Choral in the early 2016.  I am crazy about 18th and 19th century classical music and dreamt one day I could sing "Messiah" in a symphonic choir.  And now not only I sing "Messiah" but also have lots of  opportunities to sing other beautiful and heavenly music which I never dreamt that dream.  No single rehearsal I want to miss.

    I have one son and one furry kid.  I spend most of my time with my furry kid and enjoy watching ballet and will never get bored.

     
  • Tom Bishop

    Picture of Tom BishopTom Bishop was born in Australia, but has spent more than half of the time since out of it. He started choral singing at the age of nine in the fourth grade, where his teacher, a tall, elegant “confirmed bachelor” embraced new methods of education, which mostly consisted of allowing the class to run wild, but managed somehow to hold onto the idea of discipline enough to conduct the School Choir. In addition to singing, he also mangled the clarinet. Since then he has sung in high school, at University, at work, for work, in his spare time, and in less likely venues such as showers, streets and supermarkets, sometimes to the amazement and annoyance of partners, his children, and random passers-by. More formally, he has sung with the Yale Glee Club, the Cleveland Orchestra Chorus, and the Cleveland Early Music Singers, and has been fortunate to work with conductors such as Fenno Heath, Robert Shaw, Pierre Boulez, Richard Hickox, Simon Rattle, and Christoph von Dohnanyi, as well as Uwe Grodd. In his non-singing time, he teaches at the University of Auckland, where he lectures principally on Shakespeare and Drama. He is pleased to be a Tenor 1 because it means he gets a break at auditions.

     
  • Jane Gee

    Picture of Jane GeeI joined Auckland Choral in 2008. I enjoy the challenges of the big works which are inspired by Uwe's leadership. Singing with Auckland Choral is as important to me as breathing! And second only to my husband and family. My grandmother said that you should 'do The Messiah' at least once before you die! I have have had the privilege of singing it many times. I have made many friends and hope to sing with Choral for many years to come.

     
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